THE GREAT UILLEANN YOU-TUBE THREAD.

A forum about Uilleann (Irish) pipes and the surly people who play them.
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BigDavy
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Post by BigDavy »

Another one from wildstick.

http://www.youtube.com/watch?v=Nj3jKRsBYY4

A couple from Hooligan playing at a Renfaire.

http://www.youtube.com/watch?v=vaUIcMRekLo
http://www.youtube.com/watch?v=9w2DuAuC9qM

Chieftains in Bosnia

http://www.youtube.com/watch?v=mgEZXw7cWyU

Ross Ainslie and Jarlath Henderson - Border Pipes and UPs - my favourite pipes combination.

http://www.youtube.com/watch?v=dX5R3f1yT-E

David
Payday, Piping, Percussion and Poetry- the 4 best Ps
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BigDavy
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Post by BigDavy »

Payday, Piping, Percussion and Poetry- the 4 best Ps
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Post by BigDavy »

Hatao - the Japanese flute player has put some vids of a trio he plays in up. The place they played in is very sonically active - definitely sonically active, Ken Matsusaka is definitely playing organ pipes :lol:

Amazing Grace
http://www.youtube.com/watch?v=m76UF5b0fSE

Reels
http://www.youtube.com/watch?v=3kB6O2SVZDI

March
http://www.youtube.com/watch?v=CyB6Yj9X_Lg

Slow air solo on pipes (nice reg work on this one) plus jig at the end.
http://www.youtube.com/watch?v=bmVKEbvvegk


David
Payday, Piping, Percussion and Poetry- the 4 best Ps
brendan ring
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Post by brendan ring »

Hey Uillam, I didn't think Jarlath was playing"that" fast, personally I often play considerably faster than this. There is nothing wrong with showing off, when you get on stage at a festival, you are expected to show off, it's what you are being paid for! As for age and experience being better in some way than the exuberance of youth I am not entirely sure about that. I am edging 40 myself and show no signs of what you consider musical maturity. Older and slower doesn't necessarily mean wiser and more musical.
If you want to hear fast (which I'm sure you don't) :-) check out my version of Madame Bonaparte (www.brendanring/myspace.com), totally inspired by the version Finbar Furey recorded in his early twenties when I think he was at his best. And talking of Finbar lets not forget his famous reply on being asked why he played so fast " because I can!". I think Jarlath has it quite right. All musicians who play fast can play slow, the reverse isn't necessarily true :-)
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ausdag
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Post by ausdag »

Uilliam wrote:I thought Jarlaths variation on The Lark was getting a bit far fetched frae the original and showy aff which again is very common amongst the youngsters.
Subtle variation is an art that I am slowly working on. It's so much easier to be an acrobat and bob all around the place, jumping up and down on Hard D's etc; much harder to make it subtle and refined and at times barely noticeable. Pat Mitchell's descriptions of some of Willie Clancy's variations is a good place to start.
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Post by PJ »

Personally, I think that if you can do it well then there's no harm in pulling out the stops once in a while. However, if you can't do it well, then it's best leave it alone.

Incidently, listening to Jarlath cut loose like that reminds me of Paddy Keenan's playing on his self-titled first album. The variations in Paddy's playing really push the limits, going so far as playing the melody on the regs. Wasn't Paddy in his early 20's when he recorded that album?
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ausdag
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Post by ausdag »

Slightly off topic but...


Damn! I'm going to have to wait till I return to Australia next January before I can post more piping videos to my You Tube account...

The Indonesian Government has ordered ISPs here to block all access to You Tube because it is hosting a Dutch anti-muslim movie called 'Fitna'.

I was wondering why I can't see any of the videos posted here today.

Oh well. Gives me more time to practice and not be tempted to post any more premature and substandard playing.
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Post by PJ »

ausdag wrote:... 'Fitna'...
For a moment, I understood 'Fitba' and thought, what have they got against the Scottish soccer?
PJ
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BigDavy
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Post by BigDavy »

Payday, Piping, Percussion and Poetry- the 4 best Ps
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ausdag
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Post by ausdag »

Yeehaaaa...after a public backlash and protests from the IT industry, we now how our access to You Tube once again. Horay for the voice of reason.
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Post by The Sporting Pitchfork »

I don't THINK anybody has posted these yet...

Mick O'Brien playing "Green Fields of Canada" and "Sporting Nell" @ Willie Clancy Summer School, 1997: http://www.youtube.com/watch?v=IcRXOxzo-yk

Short clip of Willie Clancy playing for an appreciative crowd: http://www.youtube.com/watch?v=w6JzNhMjJDM

Note that Willie is playing on a right-handed set with the stock turned around backwards.
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BigDavy
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Post by BigDavy »

The Sporting Pitchfork wrote:I don't THINK anybody has posted these yet...

Mick O'Brien playing "Green Fields of Canada" and "Sporting Nell" @ Willie Clancy Summer School, 1997: http://www.youtube.com/watch?v=IcRXOxzo-yk

Short clip of Willie Clancy playing for an appreciative crowd: http://www.youtube.com/watch?v=w6JzNhMjJDM

Note that Willie is playing on a right-handed set with the stock turned around backwards.
Hi Sporting Pitchfork

Page 51 for both, but the Willy Clancy one referenced in the page 51 post was removed by the user, so your vid is a new post of it.

David
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BigDavy
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Post by BigDavy »

Hatao hus put up an extended vid of the slow air and jigs.

http://www.youtube.com/watch?v=z8tuA5D78-4

A vid of our Nemethmik's new C chanter being played by his friend Richard. Is it a McNichol one Nemethmik?
http://www.youtube.com/watch?v=XzB_uVF2ueQ

David
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Uilliam
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Post by Uilliam »

Brendan...I didnae say that Jarlath was playing too fast!!In fact I don't think my post mentioned that word at all.
My reference to Finbar was because he himself said to me that his playing is better now than it ever was.His reference to the exuberance of youth I thought was valid.That is why I mentioned it.
His reference to "because I can" is well known and part of folk lore now but the comment he made to me is less well known and I try to impart that pearl of wisdom on.
I agree their isnae much wrang with displaying yer skills and fair play to Jarlath and yersel ye are both blessed with that.
My point, if there was one at all, is that if it detracts frae the melody and no longer is part of or recognisable to the original then what is the point?

Your last observation is a bit debateable in my book.There is no advantage in playing too fast other than to say "because I can"...listen to some of the players today who play jigs way to fast and reels way to slow or super fast.Why?, they obviously think thats the way to play them because thats what they have heard.Once that is embedded in the culture we move away frae traditional music into something else.I do not wish to get into an argument re:tradition v modernism.That is for another day..
But I think I can make the comment that if'n ye are gonna play traditional music then at least play it traditionaly.
Put it this way...I have a car that can go at twice the speed of the road speed limit...but the rules say that I can only drive safely at half that amount.So in order to protect all and sundry frae fatalites I stick to the rules.
Same way wi the traditional Music ...there are certain rules re tempo(speed) If I exceed the tempo or start wobbling too much wi the melody(variation) then ye will run the danger of crashing the Tradition...



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Post by djm »

May I suggest that, since this is the YouTube thread, that discussions be taken out to other threads rather than choke up this thread with all the "pipers' angst" stuff.

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