Just wanting to clear up a discrepancy... Various sites list apparently contradictory information on the affect of temperature on flutes. Many sites state that a cold flute plays flat and a warmed up flute sharpens. Other sites state the opposite occurs. If memory serves me (and it may not), when I played classical flute, my teacher always told me that my flute started out sharp and flattened as it warmed up. Do wooden flutes behave inversely to silver flutes? I would think that as a flute warms up it expands, and getting larger it would flatten. Anyway, just wanting some expert opinions.
Barak
Pitch: Hot and Cold Flutes
- glauber
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I think your teacher was mistaken. A cold instrument plays flat because of the slower speed of sound in the cold air inside. It also plays a little slower for the same reason.
http://hyperphysics.phy-astr.gsu.edu/hb ... uspe3.html
Moisture inside the bore should raise the speed and the pitch too.
http://hyperphysics.phy-astr.gsu.edu/hb ... uspe3.html
Moisture inside the bore should raise the speed and the pitch too.
Last edited by glauber on Thu Apr 01, 2004 11:29 am, edited 2 times in total.
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- glauber
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As the air warms up, the sound waves travel faster, and you have to make the flute longer (by pulling out) for it to play the same frequency.
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I own and regularly play a sterling silver Boehm-system flute in addition to my simple system flutes.
Allow me to dispell the myth.
When that flute is cold, it plays not only flat, but very flat. As it warms up, it comes up to pitch. Once it's warm, there is no difference between moderately warm and warm and really warm; it's very pitch stable as long as it's not cold.
Further, the temperature of the headjoint has far more effect than the temperature of the rest of the flute. A flute with a warm body and a cold head plays very flat; a flute with a warm head and a cold body plays reasonably well, but not as well as one that is completely warmed.
Moisture in the bore does nothing for pitch one way or the other, but if it beads up excessively it will cause problems with the tone and responsiveness of the flute. This is why you'll never see me hold a flute exactly level: it needs to be tilted down a bit so the condensate can move down and out of the bore.
--James
Allow me to dispell the myth.
When that flute is cold, it plays not only flat, but very flat. As it warms up, it comes up to pitch. Once it's warm, there is no difference between moderately warm and warm and really warm; it's very pitch stable as long as it's not cold.
Further, the temperature of the headjoint has far more effect than the temperature of the rest of the flute. A flute with a warm body and a cold head plays very flat; a flute with a warm head and a cold body plays reasonably well, but not as well as one that is completely warmed.
Moisture in the bore does nothing for pitch one way or the other, but if it beads up excessively it will cause problems with the tone and responsiveness of the flute. This is why you'll never see me hold a flute exactly level: it needs to be tilted down a bit so the condensate can move down and out of the bore.
--James
Straightens things out for me, too. I'd got it in my head that the main effect of cold would be to shrink the flute or whistle, which should RAISE the pitch. Hadn't even stopped to consider the effect of colder air.
Of course, my flute level is still low enough that the effect of my unpracticed embouchure (made worse by frequent layoffs for business trips - I need to get a 3-piece poly flute to haul along) greatly overshadows temperature effects.
But I'd wondered why all my tunable whistles needed the slide all the way in to come to pitch; maybe if I didn't keep the house at 62 F. in winter and would wait a bit before checking tuning I wouldn't have got such a nasty shock.
Of course, my flute level is still low enough that the effect of my unpracticed embouchure (made worse by frequent layoffs for business trips - I need to get a 3-piece poly flute to haul along) greatly overshadows temperature effects.
But I'd wondered why all my tunable whistles needed the slide all the way in to come to pitch; maybe if I didn't keep the house at 62 F. in winter and would wait a bit before checking tuning I wouldn't have got such a nasty shock.