What do you do with an E flat whistle?

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sackbut
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What do you do with an E flat whistle?

Post by sackbut »

Has anyone else, like me, bought a Generation E flat because it was cheap, and then found it doesn't get used much in a folk context? I only know 3 folk tunes (all Carolans) in relevant keys: Miss MacDermott, where you have to fudge a few notes where it goes off the bottom of the range - but if you can do that it sounds lovely - ; Mrs O'Rourke, which I can't get to sound like a whistle tune, it just sounds as if it should be played on a harp; and untitled No 175 in the Complete Works, which is a lovely lilting tune that sounds great on the whistle.
Of course there's plenty of hymn tunes & similar in E flat and related keys: Harington, Duke Street, Hereford, Rockingham (though that sounds & plays better on a B flat whistle), Lasst Uns Erfreuen (Mr Bean's favourite); Ebenezer, a beautiful F minor tune, and Fortitude, an A flat tune typical of many from the Moody/Sankey style & period: How marvellous; Now I belong to Jesus; Follow, follow; For I know whom; In my heart there rings etc.

Any other ideas?

I've ended up writing my own just to have something that's intended for that whistle: a couple of examples newly uploaded on the C&F Fb page: http://www.facebook.com/photo_search.ph ... 2229480589

and links to one or two others:http://www.facebook.com/album.php?aid=6 ... 2323480386
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Re: What do you do with an E flat whistle?

Post by Mr.Gumby »

Maybe shake off the idea that you can only play tunes that are written in keys appropriate to the key of the whistle.

That should be a good first step toward broadening your musical horizons.

You may even find you can play anything you like on it.
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y-nought
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Re: What do you do with an E flat whistle?

Post by y-nought »

I was at a session once where a fiddler and a flute player, (both very good, I thought), played a couple of sets in E flat. They had never met before but the flutist had an E flat foot for his regular D instrument and the fiddler took a few moments to retune to him. The tunes sounded very lively and it was fun to hear the difference. If I had an E flat whistle I would have joined in on the ones I knew.
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Re: What do you do with an E flat whistle?

Post by straycat82 »

Are you thinking in terms of playing with others in common situations (sessions, etc.) or just what key a tune is recorded/written in? I play an Eb just for kicks sometimes because it can be a nice change. I've known quite a few flute players who keep an Eb on hand. You'll also find recordings (Matt Molloy, Mary Bergin, etc.) who have recorded in that key.
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Re: What do you do with an E flat whistle?

Post by Kypfer »

Possibly less of an issue in an all-instrumental (or solo) environment, but if you include a vocalist who prefers Eb or one of it's associated keys for a particular number ... think of it as a capo for your D whistle :wink:
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Re: What do you do with an E flat whistle?

Post by nickthepiedpiper »

Often Irish flute players like to play with their tuning slides all the way in which results in an Eflat tuned flute instead of a D (i.e Matt Malloy on his solo albums). At first it bugged me that I had some CD's that I couldn't play along with with my non-tunable D whistles, so that's where an Eflat can come in handy.
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Re: What do you do with an E flat whistle?

Post by Mr.Gumby »

Often Irish flute players like to play with their tuning slides all the way in which results in an Eflat tuned flute instead of a D (i.e Matt Malloy on his solo albums).
That's incorrect.

E flat flutes are being used though, like Molloy's Boosey band flute (which is in space right now) or Micho Russell's e flat flute.
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Re: What do you do with an E flat whistle?

Post by Liney Bear »

y-nought wrote:I was at a session once where a fiddler and a flute player, (both very good, I thought), played a couple of sets in E flat. They had never met before but the flutist had an E flat foot for his regular D instrument and the fiddler took a few moments to retune to him. The tunes sounded very lively and it was fun to hear the difference. If I had an E flat whistle I would have joined in on the ones I knew.

Don't suppose that session might have been in Phoenix, AZ in December, 2009 at Tim Finnegan's pub? If so, I was the flute player.
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Re: What do you do with an E flat whistle?

Post by Liney Bear »

straycat82 wrote:Are you thinking in terms of playing with others in common situations (sessions, etc.) or just what key a tune is recorded/written in? I play an Eb just for kicks sometimes because it can be a nice change. I've known quite a few flute players who keep an Eb on hand. You'll also find recordings (Matt Molloy, Mary Bergin, etc.) who have recorded in that key.
If the ball had bounced a bit differently last night, we could have been playing in Eb in a heartbeat. Just gimme an excuse to bust out the Eb...
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Re: What do you do with an E flat whistle?

Post by y-nought »

Don't suppose that session might have been in Phoenix, AZ in December, 2009 at Tim Finnegan's pub? If so, I was the flute player
That's the one! I'm hoping to attend that same session on the first weekend in March. Maybe I'll see you there, (still don't have an E flat whistle, though).
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Re: What do you do with an E flat whistle?

Post by hoopy mike »

y-nought wrote:
Don't suppose that session might have been in Phoenix, AZ in December, 2009 at Tim Finnegan's pub? If so, I was the flute player
That's the one! I'm hoping to attend that same session on the first weekend in March. Maybe I'll see you there, (still don't have an E flat whistle, though).
Have you tried playing a D whistle on a motorbike?
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Re: What do you do with an E flat whistle?

Post by DrPhill »

I can see your game Hoopy, And Really see what Corrse the thread might take.....
Phill

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sackbut
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Re: What do you do with an E flat whistle?

Post by sackbut »

re - several posts above, yes of course you can have fun with playing things not in their original key, and part of the fun is that the same tune takes on a different character in a different key, though the difference may be only slight. Several of the hymn tunes mentioned in the initial post can be found in different keys in different hymn books, and most of a congregation won't notice except when they find it easier or harder than usual to hit the top note.
But equally there can be quite a noticeable difference. 'Link him Doddie' as an A minor strathspey sounds good; but I think it sounds really wild in F minor on the E flat whistle. Or am I just imagining that?
My own tune 'Caoles Castle' (link on the initial post) I also transcribed from A flat into G in the fond hope that somebody else might actually play it. But to me it only sounded half the tune in G, so I still play it on the E flat whistle.
What I was wondering when I started the thread was whether anyone else had found things they really liked on the E flat whistle - whether originally written for that or not.
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Re: What do you do with an E flat whistle?

Post by pancelticpiper »

sackbut wrote:

of course you can have fun with playing things not in their original key...

...originally written...
In Irish music, most of the tunes are traditional, and no one can know who originally wrote them, or in what key they might have been played by the composer.

Moreover, Irish traditional musicians probably couldn't care less.

The keys hymns appear in, in hymnals, is based on what keys are thought to fit the range of the average congregation or choir. So there's no inherent "correct" key; the key is selected pragmatically. Many hymn tunes are old folk tunes and again nobody knows or cares what keys they might have been played in before they were used for hymns.

About Carolan, all the various sharp and flat keys that you encounter his tunes in, in print, couldn't have been the "original" keys. The old harps were diatonic, and if Carolan or any other ancient harper had his harp tuned in C, then every Major tune he played would be in C.

The concept of a universally agreed-upon fixed notion of what pitch an "A" is didn't exist in the old days anyhow.

Anyhow play anything you like on any whistle you like! (But not at sessions, where each tune usually has a customary key. "Customary", not "original".)
Last edited by pancelticpiper on Wed Feb 16, 2011 6:32 am, edited 1 time in total.
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Re: What do you do with an E flat whistle?

Post by kenny »

A question phrased like that could get some very strange - if not uncomfortable - replies, but happily no one's gone there yet :)

Eb has several uses.
Although it was more common in the 70s and 80s, you do still occasionally come across sessions in Ireland where all of the instruments are playing in Eb, so if you want to join in, you'd need your Eb whistle.
I quite like playing the Eb whistle I have if I'm ever performing solo.
Mainly for me in Scotland, if I want to learn a Highland bagpipe tune from a pipe band or solo recording, I need an Eb to play along if I'm learning by ear.
Also as mentioned above, quite a few recordings of Irish traditional music have the instruments pitched up to Eb, so again, an Eb whistle is needed to play along.
"There's fast music and there's lively music. People don't always know the difference"
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